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I had always longed to make a recording of my own music. Born to two opera singers and having performed for many years as a dancer and singer with the Meredith Monk Vocal Ensemble and the Laura Dean Dancers and Musicians, I had been seen and heard primarily as a performer of other people's work. I had not yet found my own voice, so to speak. I complained to my dear friend and colleague, Sonya Shannon , also an artist. She looked me squarely in the soul and declared that I had to sing. She insisted that I rent time at a recording studio one hour per week as if I were in therapy. I decided to do it and see what would emerge. Sonya accompanied me to the first couple of sessions as my artistic midwife, bringing her sketchpad and journal. I brought my violin and my pounding heart and let it roll. Sound engineer and musician, John Guth, quietly recorded my journey, capturing every impulse, melody, and meditation in sound. I felt great! I now had the technology and the moral support I needed. I was granted help, despite my usual resistance to asking for it. Within a few sessions, I became aware that I was experiencing something quite new and profound: showing up for myself and being fully present. I wanted more of this experience, and I wanted to hear another layer of sound. I remembered that a fellow musician, Bill Ruyle, had moved to my hometown the prior year. I hadn't talked to him in more than a decade. I decided to call him out of the blue. "Bill," I said, "how would you like to go into the sound studio with me and improvise." To my delight, he said, "Sure." Without any rehearsal or planning, we showed up on the specified day and simply began. From a few resonant beats of the tabla and melodic strikes of the marimba, a sound world began to unfold, a world into which I stepped with all my senses alive and attuned, journeying on waves that poured forth from my heart and soul. I was alive! Here was a new sense of joy! It was time to share this experience. At first, I invited a small handful of buddies to a friend's living room for a private performance. With increased conviction, I also increased my audience. The next two performances took place at my home and then at a magnificent salon overlooking the Hudson River. Each of these live performances was recorded by John Guth. While the events were planned, the music that emerged was wholly spontaneous. And from these recorded musical meditations, I selected nine tracks that now appear on my first self-produced CD, SoundPath. Although I have sung on other compact discs, this experience was different. SoundPath brings forth the Song in my heart, the Voice of my soul, born of inevitability not design. Once the CD became a reality, I was eager to share it with everyone. Listeners began to reflect their experiences of this music back to me. "Beyond Enya!", "It takes me on a journey", "WOW! What magic. The sounds altered my cells and shifted my vibration", "I play this during meditation", "Very soothing", "I just wanted more." What I have learned from people's responses is that SoundPath creates experiences and possibilities beyond what I might have imagined. * * * Naaz Hosseini is a singer, dancer, violinist, psychotherapist, and Voice Healer. She has performed internationally with the Meredith Monk Vocal Ensemble and the Laura Dean Dancers and Musicians. In 2001, she received the Rockland County Executive Arts Award for Performing Artist. Her highly acclaimed CD, SoundPath, of healing vocal meditations inspires meditation, relaxation, and creativity. It is recommended in the March 2004 issue of Dance Magazine. Naaz helps individuals reclaim the power of their voice for whole-hearted speaking, singing, and being. She is available for individual consultations in Nyack and Manhattan, NY and by telephone. She is also available for workshops and performances in the United States and abroad. For bookings and further information Email: naaz@soundshifter.com Tel:l 845-353-1974
The Healing Power of the Voice
Armand DiMelle interviews Naaz Hosseini WBAI Pacifica Radio January 2006 |
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